Hey folks, I know it’s been a while. The first part of the next story is almost ready to post — I’m thinking tomorrow evening. More on that in a minute.
I did want to point out an interesting essay by Evan Davis over at The Light of Day — it seems he went to Disneyland and encountered some real, honest-to-goodness magic. Reading through his essay, I found it impossible to argue the contrary!
Also, you might remember, a few months back I gave Chris Durston’s Each Little Universe a quick review (spoiler: I loved it). Well, you might be pleased to know that it’s in its second edition, and he’s got more work out besides. Go have a look.
Regarding the next story: It’s another tale set in contemporary Solitude, and once again, we’re going to visit teenagers Cari and Max. If you’ve followed the characters, you might understand that their relationship hasn’t always been the smoothest. Will this next adventure bring them closer together? Will they understand each other more? If you’re unfamiliar with the characters, this story will provide a pretty good introduction.
Hey Folks, still working on the next couple stories. Another installment of “Voices of the Dragonborn Era” is in the works and should be ready in the next week or so. In addition, I’ve got the beginnings of a multi-part, Holiday-themed tale starring Max and Cari partly worked out (though I’ll admit, most of it’s floating around in my skull right now, bumping into things). In the meantime, I thought I’d share a couple interesting items I found whilst browsing around the WordPress Reader:
First, author Kent Wayne, the Dirty Sci-Fi Buddha, has a nice web-based serial called The Unbound Realm, about a youngster who finds himself whisked far, far away from his mundane existence as a student destined to enter corporate dronehood. The prologue is here.
And then we have Brandi Untz’s tale, Tara of High Rock. Brandi Untz is an author and artist, and links to her stunning artwork can be found on her site. I found her illustrated story intriguing because her pictures are kind of like mine (or how I’d like mine to be, anyway!), and because I think there might be some thematic similarities to what we’re both writing. The first chapter of Tara’s story can be found here.
So a few months back, I read an interesting collection of short pieces on Archive or Our Own called“Interviews With the Empire,” where the author, Triflingshadows, gave us some insights on Elder Scrolls characters all over Cyrodiil. I commented that I might try out that idea in a Skyrim setting, and while it took several months to get around to it, I’ve finally published the first entry.
Young Cari Ayalu, a youth in modern-day Solitude, returns to frame the story. We join Cari as she receives a long-awaited book via special delivery. Voices of the Dragonborn Era is an oral history of ancient Skyrim, the result of painstaking work by a score of scholars. Cari, a history nerd if there ever was one, is absolutely delighted! In the first entry, Cari reads a letter written by Dorthe, daughter of the Riverwood blacksmith, to her granddaughter. We’ll be joining Cari from time to time as she reads further, but for now, click here for “Voices of the Dragonborn Era, Part I!”
Hey, Folks! Still working on the next story,* but while we’re at it, I thought I might share a couple of links to other goings-on around the web.
First of all, Elspeth Aurilie writes on! This time, we get the latest in her Dragonborn story, “Under the Purple Sky.” I’ll say it again: If you haven’t been reading Elspeth’s work, you really should be. Her characterization and plotting make her stories very compelling, putting the reader right into the middle of the narrative.
Next, consider author Cedar Sanderson’s recipe forLow-Carb Chocolate Fudge Pie! And while you’re there, consider the rest of her site. She’s a prolific multi-genre author (I’ve read three of her books, and definitely will be reading more), artist, and scientist. Science fiction, contemporary fantasy, science commentary, yummy recipes: What more could anyone ask for?
Hopefully, I’ll have the first installment of our next tale up soon. Until then, stay healthy!
*In the new tale, young Frokken Cari Ayalu, a teenager in modern Skyrim, receives in the mail a thick scholarly tome containing personal accounts of the Dragonborn era, and we get to follow along as she learns what it was like to live in those momentous times!
Hey, Everybody! I’m still thinking about what to write next. There are a few ideas swimming around in my head, whether for a totally new story or for revising existing stories. As for new stories, here are a couple ideas:
Who was responsible for the death of Jot Sorenson’s parents? An Imperial investigator must team up with a Thalmor agent to find out.
Teenage Max Sundberg greatly respects his friend Cari Ayalu’sintelligence and insight, but it takes a mystical experience for him to truly appreciate his friend.
Regarding revisions – I suppose any of my stories have room for improvement! I’ve been thinking about ways to tighten up “The Harp’s Call,” but haven’t quite decided which way to go, yet.
Needless to say, I won’t decide today. Or probably tomorrow, either. In the meantime, there’s plenty to read and learn from. Here are a couple of recent finds:
Remember: it doesn’t matter if your ideas are cohesive, if your grammar is correct, if your spelling is wrong, or even if you’re writing in sentences. The only goal is to build the connection between your two major writing instruments: your brain and your fingers.
Elspeth Aurilie has published the latest chapter in her saga, “The Rise of House Sigeweald.” I’ve linked to Elspeth’s site a couple times already, as I’ve always enjoyed her writing and her faithful fanbase. She doesn’t disappoint in her latest installment, either, though I wouldn’t recommend reading this one to your children as a bedtime story. In fact, Old RPM had to loosen his collar and almost had to retreat to the fainting couch!
I’ve enjoyed the two or three years I’ve been blogging, and have come to realize that half the fun is seeing what other bloggers are writing about. This is something I need to do more of. See you next time (I’ll be posting some Fallout 4 screenies soon)!
Hey folks, we hope you enjoyed the wedding, but now it’s time for the reception! As hinted at the end of the previous installment, a minor (or major, depending on your point of view) crisis will have to be solved before the party can really start. Will Max be successful in his mission of mercy? Will Cari and Max learn to get along? Find out in the conclusion to “Let Us Then Be Joined Together!”
Oh, one more thing: I’d like to take this moment to thank the folks who came by to visit this blog and read the stories. When I started this blog in 2017, I had no idea how challenging it could be to come up with new content, or even to update consistently. Your support has made it all worth it. I wish all of you a blessed 2021, and I hope to see you all again soon!
Hey Everybody, the wedding ceremony’s about to start, and you’ve got the best seats in the chapel — you get to see Aunt Teri and Uncle Adrian through Max and Cari’s eyes! This was a fun installment to write, as it allowed me to let my imagination run free for a bit. While experienced Skyrim players are probably familiar with the wedding ceremony that takes place in-game, I had the chance to imagine how the nuptials would proceed a thousand years later. What I wound up with was kind of a mix of North American Protestant wedding, flavored with some symbolic acts and “Maric” philosophy, topped off with the marriage script from the game itself.
Hey, folks! I just posted Part II of “Let Us Be Joined Together,” where we see the runup to Teri Ayalu’s and Adrian Lindström’s wedding through Cari’s eyes. As some of you know, Cari is Teri’s niece, and despite their age difference, they’re inseparable. As such, it surprised nobody when Teri selected her niece as her Maiden Attendant, which is something like a cross between bridesmaid and flower girl. In this installment, I thought it might be interesting to explore their relationship (and Cari’s fears for the future) a little more deeply, though we can count on young Max, Uncle Adrian’s nephew, to pop up for a little comic relief.
Oh, one more thing: Both Part I and Part II of this story end with a loud, startling organ flourish. In my imagination, it might have sounded something like the finale to Camille Saint-Saëns’ Third Symphony, which I’ve linked to below (yes, do listen, but if you’re easily startled, or have a sleeping infant close by or something, you might want to turn the volume down!).
Hi Folks! Been a while hasn’t it? I haven’t figured out what the next story is going to be yet, but in the mean time, I’ve been tinkering with a new soundtrack. About a year ago, inspired by Ellspeth using music to represent her characters, I imagined what the soundtrack to “A Hand To Hold”would belike if the story were made into a film. For that project, I used cinematic music from a number of different films, from composers ranging from John Williams to Jonny Greenwood. I had so much fun, I wanted to do the same thing for a different story, and spent a lot of time thinking about what kind of music might work with “The Harp’s Call.” Those who’ve read the story will remember it’s about a young girl in modern-day Solitude who must solve a ghostly mystery dating back to the Dragonborn era.
This time around, however, I thought that instead of drawing from other soundtracks, I would use music from the classical world. That made the exercise tougher in some ways, but easier in others. The tough part was finding pieces that could pass as cinematic and represent a scene in the story. While some (but by no means all) cinematic score composers might borrow from classical themes, it doesn’t follow that classical pieces, particularly the longer ones, are easy to fit to a story. On the other hand, one might find some very short pieces, such as preludes and etudes, that might match up fairly neatly with a particular scene. Having said all that, I present the soundtrack to “The Harp’s Call:”
Let’s talk about the selections and where they fit in the story.
Part I of the story opens with Cari and her girlfriends, Leyda and Anisa, visiting historic Solitude on a class field trip. I wanted a pleasant piano piece to represent the somewhat idyllic setting, and the Kabalevsky prelude I selected felt like a pretty good fit. The somewhat dissonant tone could be taken to represent Cari’s immersive enthusiasm for history versus her girlfriends’ more casual attitude.
Part I concludes with Cari becoming lost in time, finding herself in a Solitude she no longer recognizes, and coming face-to-face with the beautiful but terrifying harpist. You can’t miss with Chopin for an intense, brief work, and the prelude I selected illustrates her fear pretty well.
Part II opens with an ailing Cari at home under her favorite Aunt Teri’s care. Cari’s mood brightens considerably as her aunt suggests going for a long walk followed by lunch in town. Sibelius’ “Valse Triste” sets the mood for this scene, starting very softly and gently, as a pleasant theme takes shape. Eventually, the pair reach the ruins of the old Thalmor embassy, and Cari realizes that the harpist, whoever she is, isn’t quite done with her. The music picks up its tempo and reaches an almost frenzied crescendo as Cari once again has the wits scared out of her!
In Part III, Cari has had enough. She’s going to find out who this ghostly harpist is, and why she’s been haunting her. Over a weekend, Cari plods her way through library books and even interviews the scholarly director of the Blue Palace Museum, accompanied by Fauré’s “Pavane.” I’d settled on this piece pretty early, as it has a gentle, deliberate tempo, not too fast, with an occasional crescendo, which might mark Cari gaining a particular insight.
Even though Cari has concluded she’s being haunted by Näktergal, a legendary harpist from the Dragonborn era, she still can’t escape her. Part III concludes with Cari returning to school and being called upon to recite some ancient poetry at the head of the classroom. Once again, she finds herself lost in time as ancient passions boil over once again around her. Chopin’s “Revolutionary Étude” gives us the musical backdrop for this scene, and it’s an intense, almost wild piece.
The experience in the classroom is enough to send Cari to the hospital! Part IV of the story starts with Cari convalescing while her beloved Aunt Teri, the only one who really knows what’s happening, comforts her. For this scene, I selected Grieg’s “Solveig’s Cradle Song,” from Peer Gynt, a calming, gentle piece. Though Cari drifts off to sleep, her sense of peace is short-lived, as Näktergal beckons her once more, and Cari is compelled to escape the hospital and follow her into the night. Now, almost fully possessed by Näktergal, Cari sneaks through the darkened streets of Solitude, finally making her way to the sub-basement in the Bard’s college. For this scene, I went back to another Chopin prelude, whose three heavy bass notes at the end might signify Cari’s apprehension by the Solitude police!
Confronted by bewildered family, impatient police, and incredulous academics, Cari has to explain herself, and fast! In the conclusion of the story, Cari finally solves the mystery, astonishing everyone and earning Näktergal’s gratitude, even after a thousand years. I thought the Intermezzo from Mascagni’s Cavalleria Rusticana worked here; the minor crescendo at the end representing Cari’s final meeting with the spirit, which vanishes and leaves Cari in peace. The remaining threads of the story, including Aunt Teri’s big surprise, are accompanied by another pleasant Grieg piece, “The Last Spring.” At this point, one could almost imagine the end credits starting their crawl down the screen!
Okay so far? You might have noticed one glaring gap in the explanation above: Näktergal is an ancient harpist, isn’t she? She sang, didn’t she? Well, what did her song sound like? To tell you the truth, I don’t really know. While I included several verses of her song in the story, I never really had a tune to go with the words. Maybe she sounded a little like Inger Dam-Jensen performing Grieg’s “Solveig’s Song” from Peer Gynt, included as the final piece on this playlist. Do the words in the story fit the tune? Sadly, they don’t. Maybe I should rewrite them. Maybe I should write a tune, or commission someone to do it for me!
I hope you enjoyed this little soundtrack. It was a lot of fun to do, and if you have any suggestions for additional music for this story, or for my other stories, I’d be glad to hear it. And if you want to build soundtracks for your own stories, definitely let me know so I can link to them!
The one or two readers who actually made it through the story “Reverberations” might remember that Lukas, the star of Adrian’s vivid, disturbing dreams, winds up being exiled by the Emperor himself. Now, I never said exactly where the poor fellow was exiled to, but it doesn’t take much imagination to conclude he wound up in Vvardenfell. That being the case, what would have happened to Lukas after he arrived? I suppose that would be a good topic for a story, but it also gave me an excuse to reinstall Morrowind, mod it up, and start taking some screenshots!
Since Lukas is supposed to be a teenager, the principle mods that made these screenshots work are Emma’s Children of Morrowind, along with her Playable Children add-on (which appears on the same page). After racking up a few hours of playing time, here are a few shots that came out halfway decent:
I suspect we’ll be adding to this little saga from time to time. Restarting Morrowind has reminded me how much I liked the game in the first place. While its successors made the expected advances in graphics and gameplay, neither Oblivion nor Skyrim has charmed me quite as much as Morrowind did. What do you think?
Edit: Inserted a shot I forgot to put in last night.